Originally produced by the Second Stage Theatre in New York City, April 25, 2005.
Porter (16) Harry Zittel
Charlie (12) Conor Donovan
Anna (early 40s) Carolyn McCormick
Erla (early 30s; Latina) Florencia Lozano
Ted (mid 40s) Bob Saget
Director: Peter Askin
Scenic Design: Thomas Lynch
Costume Design: Jeff Mahshie
Lighting Design: Jeff Croiter
Original Music and Sound Design: Lewis Flinn
Stage Managers: Gerald Cosgrove and Michael McGoff
Publication: Weitz, Paul. Privilege. Dramatists Play Service, 2006. Drama Library PS3573. E4314 P75 2006.
Setting: An expensive Upper East side apartment, New York City, and a modest apartment on the Upper West Side, New York City, 1987.
It’s my room and I’ll fart if I want to. (Sings.) It’s my party and I’ll fart if I want to, fart if I want to, fart if I want to…
Plot: The lives of two teenagers on the Upper East Side change dramatically when their father is convicted of insider trading.
Representative Monologues: All of the monologues in the play are under one minute. (Monologues contain the first few lines and the last few lines; please consult the published text for the monologue in its entirety.)
p. 15: Porter questions attending Brown University.
What’s the big deal about Brown? What if I don’t want to go to Brown? What if I’d rather go to Apex Tech? What if I’d rather learn a valuable trade, like washing machine repair? [lines cut] Of course I’d have to change my name, you can’t have a doorman named “Porter.” I’d have to change it to “Joe”—or “Jimmy.”
p. 23: Charlie writes a letter to the Times.
So I think I should write a letter to the Times. You want to hear my first draft? (Charlie takes out a piece of paper and reads.) “In this land, we are innocent until proven guilty. Our forefathers fought for various rights, such as that of a man’s innocence until guilt is proven. [Lines cut] I guess I have to take out that last part. Well, what do you think?
p. 30: Erla explains the reality of the boys’ new situation to them.
No, Charlie, we’re not a team. You two are a team. [Lines cut] You have computer games, you have waterskis, you have servants. You have become accustomed to the idea of people serving you.
Representative Scenes: The play is mostly made up of scenes between the two brothers so there are many scenes to choose from.
p. 5–6: Charlie and Porter are supposed to be packing for Antigua and end the scene discussing farts. Starts with
Oh God, I’m so bored.
and ends with
If I showed you a ten, you would die immediately.
p. 21–22: Porter and Charlie discover the extent of their father’s crimes in the New York Times. Starts with
What? What about the Times?
and ends with
Yeah, it sort of does. “Assistant D.A. Theresa Novalis believes the government case is strong. ‘It’s about time,” she says, ‘that the party ended.’ ”
Select Bibliography of Reviews and Criticism: (Note: article title links are to the online versions, mostly UW-only restricted unless designated as open access.)
Gluck, V. (2005). Privilege. Back Stage, 46(19), 40.
Isherwood, C. (2005, Apr 26). Daddy’s rich (mama’s good looking) and trouble’s an insider trade away. New York Times (1923-Current File), pp. 2.
Kershner, J. (2011, Feb 27). Review: Clunky at times, but a rich story is told in ‘privilege’. McClatchy — Tribune Business News.
Pincus-Roth, Z. (2005). Paul pushes play on ‘Privilege’. Daily Variety, 287(19), 27.
Rizzo, F. (2005). Privilege. Variety, 398(11), 74.
Stevens, A. (2005, May 06). Conor donovan and harry zittel. New York Times, pp. 0–24.
Wolfe, A. (2005). Money changes everything. New York, 38(16), 73–74.