A Bright New Boise – Samuel D. Hunter

 

Boise

Commissioned and first produced by Partial Comfort Productions at the Wild Project in New York City, September, 2010.

Original Cast:

Will                       Andrew Garman
Pauline                Danielle Slavik
Alex                     Matt Farabee
Anna                   Sarah Nina Hayon
Leroy                  John Patrick Dougherty

Director:  Davis McCallum
Set Design:  Jason Simms
Costume Design:  Whitney Locher
Lighting Design:  Raquel Davis
Sound Design:  Ryan Rumery and M. Florian Staab
Video Design:  Rocco DiSanti

 

Publication:  Hunter, Samuel D. A Bright New Boise. Samuel French, 2011. Drama Stacks PS3608.U59496 B75 2011.

 

Setting:  Breakroom of a Hobby Lobby in Boise, Idaho

Language:  Contemporary

PAULINE

Ah, there we go. These two guys, they never say their names on the air for some reason. Everybody has guesses of what their names are. I think they both sound like they’re kinda high, so I call this one Woody and this one Harrelson. Get it?

Genre/Style:   Serio-Comedic

Plot:  Will begins working at a Hobby Lobby in Boise, Idaho, running from a recent incident involving a young man’s death in a religious cult Will belonged to in Couer d’Alene. Hoping to reconnect with Alex, the teenage son he put up for adoption years ago—and who happens to be a seasonal worker at the same Hobby Lobby—Will spends his time writing an End of Times novel online using  Hobby Lobby’s WiFi after hours and praying for the Rapture to occur so that he can escape his meaningless life.       

 

Review of the Production:  Rooney, D. (2010, Sep 22). A teenager’s summer job leaves a lifelong impact. New York Times, C8.

 

Representative Monologues:  Mono­logues con­tain the first few lines and the last few lines; please con­sult the pub­lished text for the mono­logue in its entirety.

The only person who has any monologues is Pauline, an older character in the play.

 

Representative Scenes:  Scenes con­tain the first person’s lines and the last person’s lines; please con­sult the pub­lished text for the scene in its entirety.

p.21-23:  Will tries to convince Alex that he’s his father. Alex doesn’t buy it and wants to have a blood test done.  [part of a longer scene]  Starts with

ALEX

How did you find me?

and ends with

ALEX

If I ask you to quit and move out of Boise, would you?

(WILL doesn’t answer, staring down at his shoes.)

I gotta clock in.

p.56-58:  Alex and Will take the first tentative steps towards understanding one another and building trust. Will tells Alex about Daniel Sharp’s death and, in turn, Alex tells Will about the abuse and heartache he’s suffered in his young life.  [part of a longer scene]  Starts with

ALEX

STOP. (pause) If your church was so amazing, why did that kid die?

and ends with

ALEX

Because you told me about Daniel Sharp.

p.65-67:  Alex’s foster brother Leroy, who is an MFA student and also works at the Hobby Lobby, is angry because Alex has begun to hang around Will and has also begun to question his place in the world and to believe, like Will, that his life is meaningless without God.  [part of a longer scene] Starts with

ALEX

You think I’m stupid.

and ends with

LEROY

Okay. Just give me a minute. I’ll go talk to Pauline and then I’ll take you home, alright?

 

 

Crooked – Catherine Trieschmann

crooked

Premiered Off-Broadway at Women’s Project in April 2008; first performed in a workshop production at the Edinburgh Fringe Festival in 2004.

Original Cast:

Laney                    Christin Milioti
Elise                      Betsy Aidem
Maribel                  Carmen M. Herlihy

Director:  Liz Diamond
Set Design:  Jennifer Moeller
Costume Design:  Ilona Somogyi
Lighting Design:  S. Ryan Schmit
Sound Design:  Jane shaw

 

Publication:  Trieschmann, Catherine. Crooked. Samuel French, 2009. Drama Stacks PS3620.R54 C76 2009.

 

Setting:  The Water’s House, High School Stadium Bleachers, and Church Sanctuary in Oxford, Mississippi; the present

Language:  Contemporary

LANEY

I admit, I might meet some resistance, some prejudice. Maybe I’ll get thrown out of the church, and Maribel and me will have to move to another town. But when my memoirs are published, other fourteen-year-old holiness lesbians will read them and won’t feel so alone.

Genre/Style:   Serio-Comedy

Plot:  Laney, a precocious 14-year-old girl with dystonia, moves to Oxford, Mississippi with her soon-to-be divorced mother.  She makes friends with 16-year old Maribel, who is chubby, socially awkward, and overly zealous about bringing people to Jesus. Over the course of their friendship, Laney falls in love with Maribel and decides to become a holiness lesbian.

 

Review of the Production:  James, C. (2008, Apr 21). Troubles of teenagers, faithful and cruel. New York Times.

 

 

Representative Monologues:  Mono­logues con­tain the first few lines and the last few lines; please con­sult the pub­lished text for the mono­logue in its entirety.

p.16: Maribel explains why she doesn’t mind being sinned against in high school because eventually her tormentors will get theirs in everlasting hell. (Laney’s lines can be skipped.)

MARIBEL

I get sinned against all the time in this school—Deedee Cummings pulled down my pants in gym class today—but I don’t mind because I know that the things of this earth, they’re not lasting. (paus) You think that I’m a real freak, don’t you?

[lines cut]

But there has to be punishment for people who sin and sin and keep sinning. If there isn’t everlasting hell, then Hitler and Stalin and Deedee Cummings will never get punished for what they did. All the people in this school who ignore you will never get punished either.

p.16-17:  Laney tells Maribel about having dystonia and why she doesn’t mind that people ignore her because that reveals to her how shallow people are. (Maribel’s line can be skipped.)

LANEY

It’s the muscles in my back. They’re working against one another. It’s called dystonia. Having a humpback is called kyphosis. I don’t have kyphosis. I have dystoni8a. It’s different. It’s temporary. I’m glad I have it.

[lines cut]

Here, nobody talks to me. But I haven’t changed. My essential personality hasn’t changed. So I know the reason they don’t talk to me is because of my dystonia, and I’m glad I have it, because now I know how shallow people are. It’s a good thing to know, don’t you think?

p.33:  Maribel prays for Jesus to forgive her and to come into Laney’s heart so that she can be saved..

MARIBEL

Dear Jesus, it’s Maribel. Maribel and my friend Laney. I ask that you forgive me of my sins, for thinking so much about Marcus Grayson and being fingered. I pray that you forgive me for wanting to kill Melissa Jenkins and Deedee Cummings. I pray that you’ll help me to forgive them. Forgive me for the hatred in my heart. [Lines cut] I pray that you enter Laney’s heart, dear Jesus, so that she won’t have to suffer everlasting hell, because Lord, she is so beautiful and full of gifts, like her writing, and I know that you’ll want to keep her near you always. Lord, I know you have mysterious ways and that I can’t know your every hair, the way you know my every hair, but I know that you don’t say no, so Lord, I’m asking that you forgive me, forgive me, not for myself, but so Laney might be healed by you too. Amen.

 

 

Representative Scenes:  Scenes con­tain the first person’s lines and the last person’s lines; please con­sult the pub­lished text for the scene in its entirety.

p.17-20:  Laney meets Maribel on the bleachers during lunch for the first time.  They share parts of their lives:  Maribel’s religious upbringing and Laney’s writing.  [part of a longer scene]  Starts with

MARIBEL

Does it hurt?

and ends with

LANEY

No one’s ever quoted me before!

p.30-33:  Maribel tries to get Laney to confess her sins and take Jesus into her heart.  At the end of the scene Laney suddenly kisses Maribel. [part of a longer scene]  Starts with

MARIBEL

Are you ready now?

and ends with

MARIBEL

Do you know what it is?

(LANEY shakes her head.)

It’s the holy ghost.

(LANEY leans in and kisses MARIBEL on the mouth. It is sweet and gentle and a beat too long.)

p.49-53:  Maribel gets upset with Laney over a romantic story she wrote about Maribel. Laney panics and lies and tells Maribel that the story was inspired by Marcus looking at Maribel at the buses after school.  Starts with

LANEY

Hey.

and ends with

MARIBEL

For the harm we’ve done to God. For the harm we do each other.

p.60-62:  Laney and Maribel get drunk on wine at a sleepover and Maribel tells Laney she is going to ask Marcus to go to church with her.  Laney panics because she lied to Maribel about Marcus’ interest in her.  Starts with

LANEY

I thought the wine was supposed to turn into blood.

and ends with

LANEY

I think he definitely might.