About uwanimal

The Animal Studies Working Group is a collaboration of students, faculty members and staff at the University of Washington. Our mission is to expand, enrich, and create new spaces for the public discussion over the place of non-human animals in society. Though our group is located at the UW and committed to bringing animal-related questions to various units across campus, we have a broad notion of community which guides our efforts to develop connections with community organizations, activists, and intellectuals.

Doglincuents and semi-stray dogs: A theoretical approximation to multi-species ethnography on globalization

Iván San­doval Cer­vantes (PhD Can­di­date in Anthro­pol­ogy at the Uni­ver­sity of Oregon)

  • Wednes­day, May 22 from 3:30pm-5:00pm
  • Thom­son 403

This paper is an attempt to the­o­ret­i­cally con­struct a con­cept of multi-species ethnog­ra­phy that addresses the ways in which the inequal­i­ties pro­duced by processes of glob­al­iza­tion affect non­hu­man ani­mals. In this sense, a multi-species ethno­graph­i­cal project should see non­hu­man ani­mals not only as sym­bols or as part of the nat­ural resources avail­able to humans but as part of com­plex his­tor­i­cal inter­species tra­jec­to­ries (Kirk­sey and Helm­re­ich 2010).

These tra­jec­to­ries include notions about own­er­ship that reg­u­late the rela­tions between human and non­hu­man ani­mals. It is by ana­lyz­ing these tra­jec­to­ries that multi-species ethno­gra­phies can ques­tion how dif­fer­ent non­hu­man ani­mal species have been placed in what I call (based Aiwha Ong’s (2006) con­cept of “grad­u­ated cit­i­zen­ship”) “grad­u­ated human­ness” that encom­passes ideas about ani­mal and human rights, and the agency of non­hu­man ani­mals, and that influ­ences how humans inter­act with non­hu­man ani­mals. To exem­plify the use of this the­o­ret­i­cal frame­work I will ana­lyze an event that took place in Mex­ico City in Jan­u­ary 2013 that involved a pack of “wild” dogs “attack­ing” and “killing” a group of peo­ple in Mex­ico City’s most pop­u­lated borough.

Sex and the Guinea Pig: Extracting, (Re)Producing, and Consuming Animal Bodies in Peru

María Elena Gar­cía (CHID/JSIS)

  • Thurs­day May 16, 12:00–1:30
  • Thom­son 403

Peru is in the midst of a much cel­e­brated gas­tro­nomic boom. Pro­mot­ers of this boom invoke the country’s “nat­ural” bio­di­ver­sity as key to Peru­vian cuisine’s suc­cess. This local cel­e­bra­tion of food, along with the push toward the global mar­ket­ing of Peru­vian cui­sine, has implied greater extrac­tion and con­sump­tion of “nat­ural resources” such as indige­nous grains, tubers, fruits, and ani­mals that are seen as some of the cen­tral ingre­di­ents of novoandino cui­sine. While the extrac­tion of other kinds of nat­ural resources have resulted in waves of protest over the “destruc­tion of nature”, less has been said about the extrac­tion, con­sump­tion and in some cases genetic manip­u­la­tion of the plants and ani­mals at the cen­ter of the so-called gas­tro­nomic rev­o­lu­tion. This paper is an explo­ration of the biopol­i­tics and cos­mopol­i­tics of Peru­vian food. Specif­i­cally, I offer a mul­ti­species, gen­dered analy­sis of the genetic and repro­duc­tive manip­u­la­tion of guinea pig bod­ies tak­ing place as a result of the national excite­ment around Peru­vian novoandino cuisine.

Workshop on Compassion Fatigue

Cather­ine Hagan (Assis­tant Pro­fes­sor, Depart­ment of Vet­eri­nary Patho­bi­ol­ogy, Uni­ver­sity of Missouri)

  • Mon­day May 6, 12:00–2:00
  • Sav­ery 408

This work­shop will con­tinue a con­ver­sa­tion that began last year, when we explored the issue of com­pas­sion fatigue and burnout in peo­ple work­ing with ani­mals in research. Again, the pri­mary con­text to be dis­cussed is peo­ple work­ing with ani­mals in research. While a dis­cus­sion of alter­na­tives to ani­mal use is impor­tant, this work­shop is not intended to be a dis­cus­sion about whether or not it is appro­pri­ate for ani­mals to be used in such cir­cum­stances. Rather, we will focus on explor­ing ideas and strate­gies for sup­port­ing peo­ple whose jobs involve dif­fi­cult and emo­tion­ally demand­ing aspects of ani­mal care.

Cather­ine Hagan is an Assis­tant Pro­fes­sor in the Depart­ment of Vet­eri­nary Patho­bi­ol­ogy at the Uni­ver­sity of Mis­souri. She received a B.S. degree in Bio­log­i­cal Sci­ences from Stan­ford Uni­ver­sity, a D.V.M. from the Uni­ver­sity of Cal­i­for­nia, Davis, and a Ph.D. in Mol­e­c­u­lar and Cel­lu­lar Biol­ogy from the Uni­ver­sity of Wash­ing­ton, Seat­tle. She com­pleted a res­i­dency at UW in the Depart­ment of Com­par­a­tive Med­i­cine in lab­o­ra­tory ani­mal med­i­cine and com­par­a­tive pathol­ogy in 2008 and was an act­ing fac­ulty mem­ber there until leav­ing this past fall. Her research explores stress, sero­tonin, and brain innate immunity.

Exceptional Americanism: Holt Collier, Teddy Roosevelt, and a Bear at Bay

Annie Dwyer (English)

  • Thurs­day April 25, 12:00–1:30
  • Thom­son 403

This paper is an excerpt from a dis­ser­ta­tion chap­ter enti­tled “Prim­i­tive Accu­mu­la­tions.” The chap­ter explores how mate­r­ial prac­tices involv­ing ani­mals and emer­gent mean­ings of ani­mal­ity set the stage for the per­for­mance of mas­culin­ity and the enact­ment of racial­ized vio­lence. The human-animal encounter that anchors the dis­cus­sion is the hunt, more specif­i­cally, rep­re­sen­ta­tions of hunt­ing writ­ten either by or about Theodore Roo­sevelt. In read­ing these rep­re­sen­ta­tions, this chap­ter traces how ani­mal­ity accrues the sense of sav­agery — expressed and accessed through the exer­cise of vio­lence — in the Amer­i­can cul­tural imag­i­nary over the course of the Pro­gres­sive era. Ulti­mately, this chap­ter links the cul­tural reimag­in­ing of the ani­mal as a “bar­barous beast” to the resur­gence of a prim­i­tivist imag­i­nary autho­riz­ing cap­i­tal­ist accu­mu­la­tion — what we might call prim­i­tive accu­mu­la­tion, to both invoke and expand Marx’s use of the term.

The excerpt I will be dis­trib­ut­ing focuses specif­i­cally on Roosevelt’s famous 1902 Mis­sis­sippi bear hunt. Dur­ing the hunt, Roo­sevelt dra­mat­i­cally dis­played his “good sports­man­ship” in refus­ing to kill a black bear that had been beaten and tied so that he might claim the tro­phy. While the event is well-known for inspir­ing the cre­ation of the teddy bear, schol­ars have largely neglected how the sub­text of the news cov­er­age — a pub­lic debate about lynch­ing — pro­pelled the story’s rise to celebrity. The black hunt­ing guide who led the hunt, Holt Col­lier, fig­ures as largely as Roo­sevelt in rep­re­sen­ta­tions of the event, as he held the bear at bay under pres­sure to help Roo­sevelt “bag” his game. In show­ing how rep­re­sen­ta­tions of the event fueled the myth of the black rapist, I also explore how the per­mis­si­bil­ity of vio­lence against ani­mals and the rein­vest­ment of ani­mal­ity with the sense of sav­agery under­wrote the jus­ti­fi­ca­tion of mob vio­lence in the Jim Crow south.

Making Things Right Again: Inter-species Moral Repair and the Problem of Captivity

Karen S. Emmer­man, PhD in Phi­los­o­phy, Uni­ver­sity of Washington

  • Mon­day, Feb­ru­ary 25
  • 12:00–2:00, Thom­son 403

In Respect for Nature, Paul W. Tay­lor argued that humans have a duty to make resti­tu­tion any time we harm wild ani­mals and plants in ser­vice of human inter­ests.  He sug­gested that resti­tu­tion is cru­cial for show­ing respect for the lives and well-being of the liv­ing things we harm in the course of pur­su­ing our lives.  Tay­lor fur­ther averred that resti­tu­tion, when prop­erly under­taken, means “we need not bear a bur­den of eter­nal guilt because we have used them – and will con­tinue to use them – for our own ends.  There is a way to make amends” (Tay­lor 1986, 306).  While Taylor’s reminder that resti­tu­tion is a vital part of our inter­ac­tions with non­hu­mans when­ever we cause them harm, he does not reflect deeply on the com­pli­ca­tions encoun­tered by these efforts in the inter-species realm. 

In this essay, I pro­pose to under­take a care­ful exam­i­na­tion of the com­plex­i­ties of mak­ing resti­tu­tion (or under­tak­ing the work of moral repair as I call it, bor­row­ing from Mar­garet Urban Walker) to non­hu­man ani­mals.  In par­tic­u­lar, I will explore how cap­tiv­ity com­pli­cates our efforts to suc­cess­fully do the work of moral repair when we have harmed, neglected, or oth­er­wise inflicted dam­age on non­hu­man ani­mals.  Where cap­tiv­ity is a nec­es­sary part of our efforts to make things right again, it may well be that we can never fully make amends.

Sexualized Violence and the Gendered Commodification of the Animal Body in the Pacific Northwest Dairy Industry

Katie Gille­spie, Geography
  • Mon­day, Jan­u­ary 28
  • 12:00–2:00, Thom­son 403

Fem­i­nist schol­ars con­cerned with the plight of ani­mals and women have argued that female ani­mals tend to be dis­pro­por­tion­ately exploited for their pro­duc­tive and repro­duc­tive capa­bil­i­ties. And this is cer­tainly the case; female farmed ani­mals are used in a num­ber of ways that uniquely exploit their female repro­duc­tive capa­bil­i­ties. How­ever, an expanded, more geo­graph­i­cal, fem­i­nist approach uncov­ers the ways in which the com­mod­i­fi­ca­tion of farmed ani­mal bod­ies is highly gen­dered for both male and female animals.

Using the empir­i­cal case study of the dairy indus­try in the Pacific North­west­ern United States, this paper per­forms a gen­dered analy­sis of the com­mod­i­fi­ca­tion of the bovine bod­ies and lives at the heart of the indus­try. This paper first reviews the more overt ways in which the female repro­duc­tive body is used along­side the less com­monly researched role of the male body in order to draw out the ways in which ani­mals are uniquely com­mod­i­fied based on their sex. Next, this paper takes up an explo­ration of the var­i­ous dis­courses (the pop­u­lar dis­course, the for­mal indus­try dis­course and the col­lo­quial indus­try dis­course) that work to repro­duce the lived real­i­ties of bovine ani­mals in the industry.

Through a review of the lived real­i­ties of these ani­mals, the vio­lence of the sys­tem itself becomes clear, but this vio­lence is then simul­ta­ne­ously both con­cealed and fur­ther expressed by the dis­courses of con­sumers and pro­duc­ers. This paper explores this sex­u­al­ized vio­lence against the ani­mal in the hopes of draw­ing atten­tion to the mun­dane, every­day forms of vio­lence that remain largely unseen.

Nature and Masculinity in Werner Herzog’s Grizzly Man

A work­shop with Sabine Noell­gen on her paper on gen­der and nature in Werner Herzog’s works.

  • Date: Mon­day, Novem­ber 26th, 2012
  • Time: 2:30pm to 4:00pm
  • Loca­tion: Thomp­son 403

“‘An Hom­bre Like Me’: Mas­culin­ity and Nature in Werner Herzog’s Griz­zly Man (paper under con­sid­er­a­tion for Col­lo­quia Germanica’s spe­cial issue on Lit­er­a­ture and the Envi­ron­ment 2012) attempts to counter a lack of gen­der approaches to Werner Herzog’s films. I pro­pose that Her­zog, whose larger body of films dis­plays a strik­ing excess of mas­cu­line fail­ures, presents the sub­ject of his doc­u­men­tary as a social mis­fit and out­sider, who fails both to sur­vive in the wild and, more impor­tantly, to live with other peo­ple. My paper detects how Her­zog codes this fail­ure and posi­tions him­self towards the gen­der and species ambi­gu­ity dis­played. More­over, my inves­ti­ga­tion of nar­ra­tive per­for­ma­tiv­ity in Griz­zly Man get an eco­crit­i­cal edge when sug­gest­ing that both nar­ra­tors’ con­struc­tion of mas­cu­line iden­tity is closely tied to their filmic rep­re­sen­ta­tion of nature. Ulti­mately, I pro­pose, Herzog’s final jump from look­ing at one man’s iden­tity cri­sis to a uni­ver­sal human con­di­tion not only dis­re­gards the gen­der aspects of the story that he tells, but, when reestab­lish­ing a nos­tal­gic look at nature that allows for equally nos­tal­gic heroic mas­culin­ity, leaves his own pre­con­ceived notions of nature unexamined.”

Animal Studies Workshop: Changing the World for Animals through Academic/Activist Collaboration

When: Fri­day Octo­ber 12, 2012, 12pm to 2:00pm
Where: Room 115, William Gates Hall
Who: Jas­min Singer and Mar­i­ann Sul­li­van (www.ourhenhouse.org)

Join the brains behind Our Hen House, Jas­min Singer and Mar­i­ann Sul­li­van, for this unique round­table dis­cus­sion that explores their col­lab­o­ra­tion with activists, aca­d­e­mics and every­one in between.

Our Hen House (www.ourhenhouse.org/), named by Veg­News Mag­a­zine as the 2011 Indie Media Pow­er­house, is a mul­ti­me­dia hub of oppor­tu­ni­ties to main­stream the move­ment to end ani­mal exploita­tion. Jas­min and Mar­i­ann, the founders — and the hosts of the pop­u­lar Our Hen House pod­cast – will share the path that led them to cre­at­ing Our Hen House, how the site is influ­enced and informed by aca­d­e­mics’ involve­ment, and how we can use our own par­tic­u­lar skills, tal­ents and expe­ri­ence to build a new world free of ani­mal exploita­tion.  In this inti­mate work­shop, ani­mal law pro­fes­sor Mar­i­ann Sul­li­van and writer Jas­min Singer, will share ideas for turn­ing thought into action, and action into real change. With a focus on  ‘The Gay Ani­mal,’ ‘The Legal Eagle,’ and other unique projects of Our Hen House, this work­shop also offers the oppor­tu­nity to explore the inter­sec­tions of var­i­ous social move­ments and our role in mov­ing those efforts forward.