All-American – Julia Brownell

all-american Received its Off-Broadway premiere at the Duke on 42nd Street by Lincoln Center Theater/LCT3 on November 7, 2011.

Original Cast:

Mike Slattery (44)                                            C.J. Wilson
Aaron Slattery (17)                                          Harry Zittel
Natasha Gordon (17)                                      Sarah Steele
Katie Slattery (17)                                           Meredith Forlenza
Beth Slattery (42)                                            Rebecca Creskoff
Jake Myers (17)                                               Brock Harris

Director:  Evan Cabnet
Set Design:  Lee Savage
Costume Design:  Jessica Wegener Shay
Lighting Design:  Japhy Weideman
Sound Design:  Jill BC DuBoff
Stage Manager:  Charles M. Turner III

Publication:  Brownell, Julia. All-American. Dramatists Play Service, 2012. Drama Library PS3602. R745 A44 2012.

Setting:  A town in California

Language:  Contemporary


Nobody comes down during assembly. Except one of the janitors, this guy Eddie, but he’s got slight brain damage, so I just give him a blow job every now and then to keep him quiet. (Aaron pretends not to have a reaction.) Oh my god. You totally thought I was serious, you thought I gave him blow jobs.

Genre/Style:  Comedy

Plot:  A former NFL star drives his teenage daughter to become a star high school quarterback while ignoring her twin brother and his wife.  If you like Friday Night Lights, you’ll probably like this play although some of the characterizations are thinner than others and the resolution comes quick and relatively painless, give or take a concussion or two.  Aaron and Natasha are the most fully-realized and interesting characters, and surprisingly, Katie, the female football player, is the least realized character, although she is the titular, All-American.


Representative Monologues:  Mono­logues con­tain the first few lines and the last few lines; please con­sult the pub­lished text for the mono­logue in its entirety. This play only has a small number of brief monologues.

p. 37-38:  Natasha explains why she tried to kill herself.  Aaron’s line can be cut.  


That’s the thing that’s so fucked up. It was so NOT about Jake Myers. It’s just—ugh—nobody gets it.  I took a bunch of pills and it was lame, okay? [Lines cut] And that actually made me the most sad, that I was sixteen and I should be caring about my stupid football player boyfriend dumping me but instead I was like, worrying about my mom being in a wheelchair. But nobody knew about that, so everybody assumed I like, took all these pills and had to get my stomach pumped because—


                –Because Jake Myers dumped you.


Exactly.] Because not being able to give crappy head to Jake Myers anymore is obviously the biggest tragedy of my life.



Representative Scenes:  

p. 7-9:  Aaron and Natasha meet while cutting a school assembly.  Starts with


Hey. (Aaron nods his head.) You’re new, right? You’re in my calculus class.

and ends with


I thought you didn’t like it when people asked questions.

p. 20-22:  Katie confesses to Aaron that she wants to quit playing football.  Starts with


I can’t really imagine any world where playing football is fun.

and ends with



p.36-38:  Natasha confesses to Aaron the real reason why she tried to kill herself.  Starts with


I don’t feel like playing.

and ends with


Yeah. Constantly. (Beat.) But honestly? The fact that you’re… you are smarter and cooler and better than anyone at this school… That’s not something to be embarrassed bout. I think it’s pretty awesome. Because I mean… you say that nobody gets it but… I get it. (Natasha kisses him.) You know, there’s no better turn-on than saying you give crappy head. (Natasha smiles. A beat. They start to make out.)



Select Bibliography of Reviews and Criticism:  (Note:  arti­cle title links are to the online ver­sions, mostly UW-only restricted unless des­ig­nated as open access.)

All-american. (2011). Daily Variety, 313(29), 10.

Isherwood, C. (2011, Nov 08). A gridiron family: The star quarterback is just daddy’s little girl. New York Times.

Sheward, D. (2011). All-american. Back Stage (19305966), 52(45), 40.

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