University of Washington Voice and Opera will offer students an interactive voice masterclass with Morgan Smith, who plays Paul Jobs in Seattle Opera’s current production of The (R)evolution of Steve Jobs, composed by Mason Bates. Three advanced vocal performance students will obtain coaching from Smith, while also having the opportunity to learn tips on auditioning for companies, pursuing European performance careers, and balancing life/work in the strenuous field of opera performance. The masterclass will take place March 5, 2019 (Tuesday), 3:30-5 pm, and is free and open to the public at the UW School of Music, Brechemin Auditorium. This fascinating contemporary opera has already won the 2018 Grammy for Best Opera Recording.
Christian Immler visited University of Washington for a Voice Masterclass hosted by the UW voice faculty on October 3, 2017, just a week after classes began in the School of Music. Immler is a renowned baritone with broad musical talents and interests, including early music historical performance, contemporary and world premiere works, and art song recital literature, especially by 20th century Emigré composers. Keep posted here for more information about upcoming masterclasses, opera productions and recitals at University of Washington.
A powerhouse team of faculty and coaches are in the final phase of producing 11 scenes from five Mozart operas, in our latest Opera Workshop project. UW vocal performance students from the undergraduate and graduate program will star in this production. This rich array is the result of a collaboration of two early music specialists and voice faculty members, Stephen Stubbs and Cyndia Sieden. In addition, professional opera veterans Linda Kitchen and Deanne Meek are assisting in stage direction, while UW Director of Accompanying Rhonda Kline offers musical coaching. The scenes will be transported to area public schools in the near future. We hope you will join us on January 14th; $10 tickets available here.
The National Association of Teachers of Singing has peer-reviewed and published a new article by Dr. Kari Ragan, full time artist-in-residence of voice at University of Washington. The article is entitled “Serious About Singing: Age Appropriate Repertoire for the Talented Teen”, and appears in the January/February 2016 issue of NATS journal. This article delves into one of the most important issues in voice teaching: proper assignment of literature based on the unique abilities (and limitations) of young singers. Kari writes, “We must select repertoire that gives our young singers the best chance for advancement in competitive situations while remaining aware of the serious vocal requirements of operatic arias.”
Dr. Ragan has become one of the nation’s leaders in voice science and voice pedagogy, presenting papers at numerous conferences across the United States. She is also a specialist in Contemporary Music Theater (CMT) pedagogy, helping to lead and direct efforts in the new University of Washington music theatre degree program, as well as publishing substantive articles on the topic.
Shortly after winning the 2015 Grammy for Best Opera Recording, UW Senior Artist-in-Residence Stephen Stubbs has been nominated yet again, for his collaboration with Paul O’Dette and Boston Early Music Festival Orchestra on a CD featuring Agostino Steffani’s 3-act opera Niobe, regina di Tebe. This recording includes the stellar singing of Philippe Jaroussky and Karina Gauvin.
The University of Washington vocal department has been enjoying yearly collaborations with Stubbs, most recently with his production of Cavalli’s Calisto (directed by Zach Winokur) in January 2016. DMA, MM, and BM students of Kari Ragan, Tom Harper, and Cyndia Sieden sang the roles, accompanied by and ensemble early music instrumentalists led by Stubbs on harpsichord and Maxine Eilander on Baroque violin. Stubbs has also been active in conducting the UW Chamber Singers in a series of Handel Messiah concerts last December.
University of Washington’s deadlines for admission to the School of Music programs in voice are fast approaching. November 15 is the “pre-screen for audition” deadline (optional) and December 15th is the UW’s official deadline for 2015-16 admission. Students wanting more information about these deadlines and our program in vocal performance should contact Julia Tobiska at firstname.lastname@example.org, or visit our website.
9:30 am to 5:30 pm, Meany Studio Theater: FREE
Ann Baltz, founder and artistic director of the internationally recognized OperaWorks performance training program, works with UW voice students, community singers, and teachers in this interactive workshop on preparing powerful auditions. The workshop includes both collective and individual work as well as an improv. session.
Schedule (includes both group and individual activities)
9:30-12 Intro to Performance Techniques
12 to 1:30 Lunch
1:30-3 Performance Techniques
4:15-5:30 Audition Techniques and Mock Auditions
For more information, please contact Dr. Ragan here: dkr at kariragan.com
University of Washington vocalists and instrumentalists shone brightly in the second of a series of planned collaborations with Pacific MusicWorks, as evidenced in this glowing Seattle Times review by Melinda Bargreen. Bargreen writes, “One of the most positive environments for music students is the opportunity to perform alongside excellent professionals. At the University of Washington School of Music, the new partnership with the pros – in this case, the much-lauded Pacific MusicWorks – is providing bonuses for both students and audiences in the stellar new production of Mozart’s “The Magic Flute.” The production was directed by Dan Wallace Miller with musical direction by Stephen Stubbs.
Next year the two organizations will launch Gluck’s “Orphée” May 20, 21 and 22nd, 2016. Ticket information available here.
Check out this Seattle Times review about last weekend’s stunning production of Handel’s Baroque opera Semele! There is much cause for celebration in the success of this collaboration between the choir and voice divisions at UW and Pacific MusicWorks. The chorus consisted of members of Chamber Singers, UW Chorale, Men’s Glee and Recital Choir. Students in solo roles included Chris Kouldukis, Emerald Lessley, Christina Kowalski-Holien, Joseph Muriello, Brianna Atwell and Dakota Miller. Next year’s production will be Mozart’s Magic Flute- tune back for more details soon.